Jessica Haselkorn

Had a great time making a SoCal Christmas in October with the Walmart team.

Director: Mikon van Gastel, Sibling Rivalry

Editor: Jarrett Fijal, Malmo

Music: “Let The Good Times Roll” by Shirley & Lee

Client: Walmart

The Bumble Bee Effect campaign was nearly a year in the making, comprising several months of consultation and production support with the larger team and client before beginning production. All in all, the campaign spans TV, web, social and radio. Shown here is the TV and a sampling of social.

Director: Ben Orisich, Bodega
Food Stylist: Michaela Hayes
Editor: Mark Tyler, Northern Lights

Music: MoPhonics
Client: Bumble Bee Foods

These spoofs on the traditional pharma spot were created to promote amazing non-profit Wholesome Wave’s Produce Rx Program.

Editor: Zoe Newman, Mackenzie Cutler
Music: Audio Network

These how-to videos were a super adorable, and delicious, project. 

Director: Sharon Radisch
Food Stylist: Karen Tack
Editor: Sean VonLembke

Music: Audio Network
Client: Pepperidge Farm

These spots were built entirely from stock and existing content. 

LUDICROUS SPEED
Editor: Bryan Wetzel
Music: "Gotta Do It" by The Wrecks, BMI

EXPERIENCE
Editor: Carlos Servando
Music: “How You Like Me Now? Featuring The Dap Kings" by The Heavy, Counter Records

Client: Altice USA

This was the first re-brand that Clinique for Men has had since it's launch in 1976. A brand originally built on the success of the Clinique line, the #1 women's skincare brand in the United States, meant a fun and unique challenge to produce the web and social content for this iconic brand. From inception, I was directly involved in sourcing our uniquely diverse talent, drafting and negotiating their contracts, and of course all of the production and post involved. On top of all that, we also had the privilege of working with the talent to curate the imagery included in each of their videos. The multiple videos we finished for web and social use are amongst the wide range and large volume of CFM assets that will be utilized globally. 

Director: Jason Goldwatch, Decon
Editor: Jonah Oskow, Decon
Telecine: Shawn King
Client: Estee Lauder

This was the first re-brand that Clinique for Men has had since it's launch in 1976. Working on a brand originally built on the success of the Clinique line, the #1 women's skincare brand in the United States, meant a fun and unique challenge to produce their first global still life/tabletop and portrait campaign, and to top it off, it was a global launch of a new product, the Maximum Hydrator. I produced all of the shoots for all of the CFM product assets for print, social, web and in store use, as well as supervising the retouch process. 

Product Photographer: Matthew Chaves
Portrait Photographer: Chad Griffith for Decon
Product Retouching: Monarch
Client: Estee Lauder

St. Boniface Haiti Foundation is one of those remarkable charities you hope to find and support as they make a palpable difference in the world. At the time of filming, they were a 60-bed hospital in the remote Fond-des-Blanc region of the Southern Peninsula, with a catchment area of 85,000 people. And yet, upwards of two million people traveled there from as far as Port-au-Prince, because of the quality medical care they provide, in particular to pregnant women and their babies.

It was because of this care that SBHF was in the process of building a new maternal health center, and wanted to create a piece of film that showed not only the need, but the humanity behind it, both on the part of the staff and the patients. I worked with the ladies at Fancy LLC for nearly five months to create an evocative and honest telling of the joys and fears of becoming a mother in rural Haiti.

In the first showing of the film at the SBHF Annual Gala, we raised nearly $500k. 

Agency: Fancy LLC
Director: Sonia Malfa
Editor: Tina Mintus, KYLE Edit

Telecine: Company3

Mix/SDX: Heard City
Music: Tom Scott for Asche & Spencer

The most I've ever laughed on set. The only problem with this spot was picking which agency version to use for my reel. Ball Park has used this spot to promote their brand for the last two grilling seasons. 
 

Director: Peter/Martin, Imperial Woodpecker
Editor: Mike Rizzo, Mackenzie Cutler
Client: Tyson Foods

Two extremely different concepts for one iconic brand. Lost showcases the Dell security features, bringing comfort that no matter what happens, nothing happens. Borderless promotes the XPS13 laptop, blurring the boundaries between what is real and what is cinematic.

LOST
Director: Jesper Ohlsson, Backyard
Editor: Mike Rizzo, Mackenzie Cutler
Music: Black Iris
 

BORDERLESS
Director: Stylewar, Smuggler
Editor: Mark Edinoff, Work Post

These two spots were post production beasts. After Rob shot these in Capetown, I stepped in to handle the post supervision. It was super fun, super detailed work with a fantastic team.

RESPECT
Executive Producer: Rob Beck, KBS+
Director: Lieven Van Baelen, RSA
Editor: Peter Johnson, Consulate
Music: “The New Black” by Moon Taxi

TORCH
Executive Producer: Rob Beck, KBS+
Director: Max Malkin, Pretty Bird
Editor: Biff Butler, Rock Paper Scissors
Music: “Off & On” by Findlay

This package of spots was produced for Caribbean medical school, St. George's University. 

Director: Adam Levite, Ghost Robot
Editor: Isaac Royffe, Ghost Robot
Music & Sound Design: Adam Charity

The whole team donated their time on this one. We created a short promo to run in Taxi TV and during the Rocks Against Cancer event we were promoting. All of our talent were cancer survivors, which made the project extra special. 

Director/Editor: Grace Huang

The pleasure of doing real person testimonials is always getting to hear their stories. These two were especially memorable. 

Director: Rudi Schwab, Humble
Editor: Dan Borgmann, PS 260
Client: Pfizer

I love the imagination and creative challenges of animation projects. 

Executive Producer: Becky Friedman
Director: Sylvain Chomet, Th1ng
Music: Big Foote

This project involved a week of shooting at more than a dozen locations in and around Auckland, New Zealand. After several months of original music development, we pursued licensing a track and ultimately arrived at this memorable and popular track by K.T. Tunstall. 

Director: Melanie Bridge, Sweet Shop
Editor: Dannette Mehalik, Blue Rock
Music: “Suddenly I See” by K.T. Tunstall, Sony/EMI

Look closely and you'll see the now former Glee cast member, Super Girl!

SHIVER
Director: Eden Tyler, Great Guns
Editor: Steve Bell, Cosmo Street
Music: In The Groove

STAR TREATMENT
Director: Eden Tyler, Great Guns
Editor: Steve Bell, Cosmo Street
Music: Pulse NY

MORNING PERSON
Director: Eden Tyler, Great Guns
Editor: Steve Bell, Cosmo Street
Animation: Eyeball
Music: “Wakin’ Up to Love” by Shanna Crooks, Atlantic Records

Client: Johnson & Johnson